Remix attributions

I think attributing borrowed work is important, and I see a lot of remixes that don’t include attributions to the borrowed work. Instead they attribute only the remixer/compiler.

Best practices for attribution require that “when you are using a work that is an adaptation of one or more pre-existing works, you may need to give credit to the creator(s) of the pre-existing work(s), in addition to giving credit to the creator of the adaptation.” (Creative Commons).

So for example, for a photo that includes other (open licensed) photos from someone other than the creator of the adaptation, the attribution could read:

“Photo by Karen Fasimpaur, © 2016, licensed under CC BY 4.0; includes picture of apple by Alan Levine, licensed CC BY 4.0 and illustration of the moon by Brad Emerson, licensed CC BY 3.0″

Here’s another example (see Source section).

This gets more complicated with all the web sites that produce images for you (e.g. memes, quotes) like the one created with recite.com:

Image credit: Created by Karen LaBonte with recite.com

In this case, I know who wrote the words and compiled the image on recite.com (Karen LaBonte), but I don’t know where the typewriter image came from. Most likely though, this composite image cannot be open licensed unless it can be determined that the components are themselves open licensed. While this can sometimes be sussed out from the creating web site, often it can’t. (Recite.com for example doesn’t appear to have any info on the licensing terms or even terms of use. The site is marked “Copyright 2015 Recite.com | All rights reserved.” but this doesn’t tell us much. Obviously it is designed to create images that are meant to be reshared, but there is no supporting license for this. As is often the case, the creators probably didn’t think of it. In other cases, the licenses seem to run counter of the intent, most likely because of overzealous lawyers.)

The credit I included above was the best I could come up with. No Creative Commons license on the composite image.

This may seem like a lot of nuance for most people, but the salient points are: 1) you should include attributions for all the works that made up the final piece and 2) you can’t open license something that contains borrowed work that isn’t open licensed.

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Student voices: An invitation

This year, I’m convening a strand on Student Voices for the K12 Online Conference, and I’d like to invite you and especially the youth you work with to get involved.

There are several ways you can participate:

We think having a strong student voice both as an input and an output of our learning environments is super important. We hope you agree and that you’ll help us make this part of this year’s K12 Online conference.

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Granularity

Credit: gurmit singh

I am often prompted to reflect on why people don’t borrow and remix high quality, open licensed educational content more often than they do.

There are many projects that have created amazing content and licensed it under a Creative Commons license. But the degree to which this content is used and especially remixed is often lower than people expect.

The reasons for this are many — ranging from the culture of some schools that holds instructional materials as sacrosanct to the lack of time and/or expertise to do this work. In addition, the engagement timeline on this kind of work is long, and many projects don’t have the wherewithal to endure that. However, I think another key element is the very nature of instructional materials.

When I think about the thousands of open licensed items I have created and published, two categories stand out to me as having gotten significant uptake in terms of being reused and remixed: Flickr photos and the open dictionary. I am particularly pleased with the fact that I get regular requests to reuse the content in our public domain dictionary. This has been a long term labor of love that we’ve put a lot of time in, and it’s good to see it being used. Unlike Flickr, this is a relatively unknown and unpublicized site, so this speaks to some real need.

Something both these categories of content have in common is a very small level of granularity. Photos and definitions are not only very granular but they are relatively generic and can be used in a wide variety of contexts without a lot of rework.

This contrasts with most instructional materials, which by their very nature are complex and carefully designed, often with spiraling content, interwoven assessments, and a variety of pedagogical features. It is possible that such materials do not lend themselves well to being chopped up and reassembled in new and different ways. And in fact, the history of various designs that leverage chunks or learning objects has not been one of great success.

So is the quest to allow customization through OERs for naught? Or does it make more sense to look at customizing OERs in terms of larger “full course” materials? I’m not sure, and I believe that customization and open learning bring a deeper level of learning. But the fact still remains that uptake on these materials can make it difficult to justify the investment.

What I can say is that if your goal is significant reuse, think granular.

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“We need textbooks!”

It’s time for education to move past standardization and textbooks.

Several conversations lately have made me ponder the importance of community understanding and support for various new initiatives like open learning and OER adoption.

In particular, I was at a meeting with the mayor and city manager of a local community last week. The topic of the meeting wasn’t really education per se, but the conversation quickly moved there as we talked about various challenges the community faces. I was surprised to hear one participant, someone who I view as a progressive and forward thinking person, rail against the lack of textbooks in the schools. This brought agreement from the group and led to a litany of complaints about Common Core and other practices in the local schools.

As a progressive educator, I was shocked — I believe that the use of textbooks and the rigid adherence to pacing and standardization is one of the most troubling aspects of education today. To me, not having textbooks and instead empowering our teachers and students to a greater degree would be one of the best things we could do to advance learning.

Clearly, though, this is not the view of many community members. As we’ve seen with other progressive trends, there is often a negative reaction to methods that are different from what was “good enough for us” when we were in school.

This relates to OER as well. OER, and even more so open learning, look different in the classroom. There are different assumptions, different methodologies, and different intended outcomes. If we don’t acknowledge those, and make sure that the community, as well as teachers and students, understand and support that, we are fighting an uphill battle.

If we are looking at OER as merely a lower cost way to provide the static textbooks that are otherwise in use, we’re missing the real benefit. The opportunity of OER and open learning is to jump forward; to move past textbooks, worksheets, and standardized curriculum; to progress to a place where there is more and deeper learning for everyone. But to get there, we need consensus on that.

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Thinking about connected learning

In a chat on Twitter, this weekend, Kevin said that our little postcard project was one of the “most connected/enjoyable” CLMOOC activities.

chat

That got me thinking back to the meaning of connected learning and whether this project qualifies.

Here’s my mapping of the CL principles and values to this project.

  • Interest-powered — Yes, we are all doing this because it is of interest to us.
  • Peer-supported — Yes, this project only happens because we all support it and each other.
  • Academically oriented — ??? Perhaps if you consider general communication (writing, media literacy, etc.) to be an academic orientation, but otherwise, not so much. (I have to say though that personally, I have often turned away from this principle as a part of CL.)
  • Shared purpose — Yes, our purposes are shared: to connect, to make cool postcards, to get happy mail.
  • Production-centered — Yes, we are creating these cards ourselves.
  • Openly networked — ??? CLMOOC as a whole sought to be openly networked and to bring together different institutions, groups, and individuals. Participation in this postcard project too was extended to everyone, but in reality, it was mostly a small group of us who already knew each other who participated. (See more on this below.)
  • Equity — ??? Again, while we aim for equitable participation, it’s not evident we’ve achieved it. (What could we do achieve broader participation? More offline activities? More promotion in different spaces? What about a make-a-postcard station at a f2f maker event or in a library? Other ideas?)
  • Social connection — Yes, we are connecting with each other through the good old fashioned post.
  • Full participation — ??? See above

This may seem like an overly academic analysis of this project. (I mean, the amount of happiness and joy it has inspired has been enough!) However, I am curious about how things like this might be mapped to other learning, and of course, it’s always interesting to to see how theoretical constructs of learning apply to real world experiences.

 

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